"Multiband (also spelled multi-band) compressors can act differently on different frequency bands. The advantage of multiband compression over full-bandwidth (full-band, or single-band) compression is that unneeded audible gain changes or "pumping" in other frequency bands is not caused by changing signal levels in a single frequency band." Wikipedia *Unofficial documentation source: http://en.wikipedia.org/wiki/Dynamic_range_compression#Multiband_compression
| Control | Default | Min | Max |
|---|---|---|---|
| MODE1 | 1 | 1 | 3 |
| MODE2 | 1 | 1 | 3 |
| MODE3 | 1 | 1 | 3 |
| MODE4 | 1 | 1 | 3 |
| MODE5 | 1 | 1 | 3 |
| MAKEUP1 | 13.00 | -50.00 | 50.00 |
| MAKEUP2 | 13.00 | -50.00 | 50.00 |
| MAKEUP3 | 13.00 | -50.00 | 50.00 |
| MAKEUP4 | 13.00 | -50.00 | 50.00 |
| MAKEUP5 | 13.00 | -50.00 | 50.00 |
| MAKEUPTHRESHOLD1 | 2.00 | 0.00 | 10.00 |
| MAKEUPTHRESHOLD2 | 2.00 | 0.00 | 10.00 |
| MAKEUPTHRESHOLD3 | 2.00 | 0.00 | 10.00 |
| MAKEUPTHRESHOLD4 | 2.00 | 0.00 | 10.00 |
| MAKEUPTHRESHOLD5 | 2.00 | 0.00 | 10.00 |
| RATIO1 | 13.00 | 1.00 | 100.00 |
| RATIO2 | 10.00 | 1.00 | 100.00 |
| RATIO3 | 4.00 | 1.00 | 100.00 |
| RATIO4 | 8.00 | 1.00 | 100.00 |
| RATIO5 | 11.00 | 1.00 | 100.00 |
| ATTACK1 | 0.01 | 0.00 | 1.00 |
| ATTACK2 | 0.01 | 0.00 | 1.00 |
| ATTACK3 | 0.01 | 0.00 | 1.00 |
| ATTACK4 | 0.01 | 0.00 | 1.00 |
| ATTACK5 | 0.01 | 0.00 | 1.00 |
| RELEASE1 | 1.25 | 0.01 | 10.00 |
| RELEASE2 | 1.25 | 0.01 | 10.00 |
| RELEASE3 | 1.25 | 0.01 | 10.00 |
| RELEASE4 | 1.25 | 0.01 | 10.00 |
| RELEASE5 | 1.25 | 0.01 | 10.00 |
| LOW SHELF | 80.00 | 20.00 | 20000.00 |
| CROSSOVER_B2_B3 | 210.00 | 20.00 | 20000.00 |
| CROSSOVER_B3_B4 | 1700.00 | 20.00 | 20000.00 |
| CROSSOVER_B4_B5 | 5000.00 | 20.00 | 20000.00 |
| V1 | 0.00 | -70.00 | 4.00 |
| V2 | 0.00 | -70.00 | 4.00 |
| V3 | 0.00 | -70.00 | 4.00 |
| V4 | 0.00 | -70.00 | 4.00 |
| V5 | 0.00 | -70.00 | 4.00 |
| V6 | 0.00 | -70.00 | 4.00 |
| V7 | 0.00 | -70.00 | 4.00 |
| V8 | 0.00 | -70.00 | 4.00 |
| V9 | 0.00 | -70.00 | 4.00 |
| V10 | 0.00 | -70.00 | 4.00 |