"Multiband (also spelled multi-band) compressors can act differently on different frequency bands. The advantage of multiband compression over full-bandwidth (full-band, or single-band) compression is that unneeded audible gain changes or "pumping" in other frequency bands is not caused by changing signal levels in a single frequency band." Wikipedia *Unofficial documentation source: http://en.wikipedia.org/wiki/Dynamic_range_compression#Multiband_compression
Control | Default | Min | Max |
---|---|---|---|
MODE1 | 1 | 1 | 3 |
MODE2 | 1 | 1 | 3 |
MODE3 | 1 | 1 | 3 |
MODE4 | 1 | 1 | 3 |
MODE5 | 1 | 1 | 3 |
MAKEUP1 | 13.00 | -50.00 | 50.00 |
MAKEUP2 | 13.00 | -50.00 | 50.00 |
MAKEUP3 | 13.00 | -50.00 | 50.00 |
MAKEUP4 | 13.00 | -50.00 | 50.00 |
MAKEUP5 | 13.00 | -50.00 | 50.00 |
MAKEUPTHRESHOLD1 | 2.00 | 0.00 | 10.00 |
MAKEUPTHRESHOLD2 | 2.00 | 0.00 | 10.00 |
MAKEUPTHRESHOLD3 | 2.00 | 0.00 | 10.00 |
MAKEUPTHRESHOLD4 | 2.00 | 0.00 | 10.00 |
MAKEUPTHRESHOLD5 | 2.00 | 0.00 | 10.00 |
RATIO1 | 13.00 | 1.00 | 100.00 |
RATIO2 | 10.00 | 1.00 | 100.00 |
RATIO3 | 4.00 | 1.00 | 100.00 |
RATIO4 | 8.00 | 1.00 | 100.00 |
RATIO5 | 11.00 | 1.00 | 100.00 |
ATTACK1 | 0.01 | 0.00 | 1.00 |
ATTACK2 | 0.01 | 0.00 | 1.00 |
ATTACK3 | 0.01 | 0.00 | 1.00 |
ATTACK4 | 0.01 | 0.00 | 1.00 |
ATTACK5 | 0.01 | 0.00 | 1.00 |
RELEASE1 | 1.25 | 0.01 | 10.00 |
RELEASE2 | 1.25 | 0.01 | 10.00 |
RELEASE3 | 1.25 | 0.01 | 10.00 |
RELEASE4 | 1.25 | 0.01 | 10.00 |
RELEASE5 | 1.25 | 0.01 | 10.00 |
LOW SHELF | 80.00 | 20.00 | 20000.00 |
CROSSOVER_B2_B3 | 210.00 | 20.00 | 20000.00 |
CROSSOVER_B3_B4 | 1700.00 | 20.00 | 20000.00 |
CROSSOVER_B4_B5 | 5000.00 | 20.00 | 20000.00 |
V1 | 0.00 | -70.00 | 4.00 |
V2 | 0.00 | -70.00 | 4.00 |
V3 | 0.00 | -70.00 | 4.00 |
V4 | 0.00 | -70.00 | 4.00 |
V5 | 0.00 | -70.00 | 4.00 |
V6 | 0.00 | -70.00 | 4.00 |
V7 | 0.00 | -70.00 | 4.00 |
V8 | 0.00 | -70.00 | 4.00 |
V9 | 0.00 | -70.00 | 4.00 |
V10 | 0.00 | -70.00 | 4.00 |